Deep Play Fall 2026 Class Series

September 13–October 18, 2026
Location: Virtual
Online Series
Interdisciplinary

The Deep Play Institute's Fall 2026 Class Series

A 6-week semester of deeply playful curriculum for the post-disciplinary imagination 

Sundays Sept 13 – Oct 18 |10 AM–12 PM PT / 1–3 PM ET / 7–9 PM CEST
[and recordings to watch later if you miss a class]

cost is by donation

A 6-week semester of deeply playful curriculum for the post-disciplinary imagination 

Sundays Sept 13 – Oct 18 |10 AM–12 PM PT / 1–3 PM ET / 7–9 PM CEST
[with recordings available for those who are unable to join synchronously]

cost is by donation

 

Welcome back to school! And join the Deep Play Institute for our Fall Semester of deep play classes.

Our curriculum is more experiential than didactic, offering workshops that are experimental, playful, transformative mixtures of art, mindfulness, therapy and performance.

Classes will meet on Sundays from Sept 13th to Oct 18th on zoom, from 10am-12pm PDT / 1-3pm EDT / 7-9pm CEST

Participants must sign up for the entire series. Classes will be recorded, so if you can’t attend one you can still watch the recording. See below for our list of classes and facilitators.

Cost is by donation, taking inspiration from the dana practice in Buddhist monastic settings. We believe that this play is deeply important and liberatory, and offer the series as an act of service towards collective healing and transcendence. Please give what you can and find appropriate to support our organization and skillful facilitators, and we welcome you regardless of that number.

 

Class Schedule

Sep 13
Playing the Frame: Improvising Social Reality
Nina Jakobson

What possibilities emerge when we stop optimizing ourselves to make sense? This is an invitation to play together in the undone-ness of our psyche: in the watery inter-realms that merge and flow between us at the party, on the subway, and in the grocery store. This is also a conversational anarchy support group. This is also a space to practice bringing compassionate aliveness and impulse to the battlefront of our water-cooler interactions. Come scared, with your multiplicitous, riotous self. Expect meditation, movement, drawing, writing, authentic relating, and playful improvisation as we treat our own interactions as creative material. Stay for the realization that the water cooler has always been full of strange and wonderful creatures just like you.

Bio: Nina Jakobson is a mover, facilitator & organizer with a background in contact improvisation, Buddhist meditation, authentic relating, theater & performance art. In New York, Nina hosts contact improv jams with ambient open decks, but most often works semi-nomadically from the Bay Area with Dharma Gates. They are a student and playful researcher of improvisation as a political experiment, a spiritual experiment & a creative experiment.
Sep 20
The Inner Resource Laboratory
Christie Animas

Discover, embody and activate your resourceful inner gang. Within each of us lives an Inner Village: a community of distinct parts, each carrying its own qualities, impulses, intelligence and ways of meeting the world. Some of these parts hold resources we may only glimpse fleetingly: a moment of courage, tenderness, clarity, steadiness or fearlessness. In this experiential workshop, participants will learn an embodied process for following these glimmers of resource and discovering the fuller parts that carry them. Through guided games using awareness, sensation, imagination, movement and voice, we will allow these parts to become more tangible and available. Participants will experiment with embodying a part’s posture, rhythm, perspective and gifts, developing a conscious relationship with these inner presences and learning how to bring their resources into everyday life. No previous experience of Voice Dialogue, parts work or embodied practice is needed.

Bio: Christie is a playful human researcher exploring consciousness through embodiment, parts work and play. She is a Voice Dialogue therapist and Fool Expression Workshop Facilitator, trained in Body Informed Leadership. She works 1:1 with clients and offers group workshops in the UK and Europe. https://christieanimas.com/
Sep 27
Polyvagal Play
Daniel Rudolph

Polyvagal Play invites you to explore a playful approach to nervous system regulation, where the science of Polyvagal Theory meets the wisdom and joy of play. Together, we’ll experiment with simple, accessible practices – such as humming, laughing, shaking, yawning, breath, movement, and playful interaction – that can help regulate the nervous system and support a greater sense of safety, connection, and ease. Drawing on insights from Polyvagal Theory and play research, we’ll discover how intentional play can activate our connected, prosocial state and become a practical resource for everyday wellbeing. Alongside experiential activities, we’ll reflect on the science and our own lived experiences through discussion, journalling, and creative exploration, leaving with a toolkit of playful practices and perspective to weave into your daily life.

Bio: Dan Rudolph is the founder and chief developer of Unified Playfulness. Dan has been facilitating play-based interventions for individuals and groups for over fifteen years, including working with schools, teams, and individuals. Dan is a certified Laughter Yoga instructor and has trained with various clown and play-based teachers including Avner ‘The Eccentric’ Eisenberg, Mery Miguez, Anthony Trahair, and Barnaby King. He has over 10 years of meditation experience, including living in a rigorous monastic setting and training with an expert teacher for 2.5 years.
Oct 4
Make Daddy Mad: Doing It Wrong As a Practice of Creative Liberation
Scout Rainer Wiley

When it comes to ritual, structure is everything–which is exactly why, in this 2-hour shadow-play workshop, we’re going to tear it all down (on purpose, of course). We’ll get a taste of the creative power and personal insight that can arise when we give ourselves permission to just chill out a little–and by ‘chill out a little,’ I mean give our inner brat full reign to show us just exactly where perfectionism, people-pleasing, and rigid adherence to formal rules has been stifling us creatively.

Bio: Scout Rainer Wiley is an Asheville-based poet, writer, and renegade alchemist whose work explores the relationship between the somatic, the imaginal, and the mysteries of nature. By weaving together threads of religious studies, systems theory, and somatics, they seek to inspire systems change and liberation for humanity through creative ritual expression.
Oct 11
How to Be an Octopus in the Here and Now
Miriam Simun

How to Be an Octopus in the Here and Now is an online participatory workshop that combines the embodied practices of the Institute for Transhumanist Cephalopod Evolution (ITCE) with facilitated group dialogic inquiry. Through simple movement, sensory attention, imagination, and collective reflection, participants explore what cephalopod intelligence can teach us about presence, distributed cognition, collective sensing, and relating to uncertainty. The workshop moves between individual and group somatic exercises and “here and now” dialogue, inviting participants to notice how attention, perception, relationality, and group dynamics transform in real time. Some questions we may explore: How are we sensing collectively? How are we acting unconsciously? How can we use the body to shift ourselves and the group?

Bio: Miriam Simun is a multidisciplinary artist using science, somatics, poetry, and humor to create art works in various formats, including video, installation, drawing, performance, and communal sensorial experiences. The work explores the collision of ecosystems, new technologies, and human power structures. Trained as a sociologist, Simun conducts embodied research with diverse places and communities, from scientific laboratories to rewilded forests, which shapes the form of the final works.
Oct 18
Embodying Archetypes
Sophie Löschburg

Archetypes are an amazing tool for creating complex and authentic characters who behave unpredictably. Art is full of archetypes. Film directors and storytellers love to work with them because they are universal and cross-cultural, making their behavior instantly recognizable and relatable. According to Carl Gustav Jung and Caroline Myss, the needs, instincts, and potential of different archetypes influence individual behavior. The Lucid Body approach to archetype work is both personally enlightening and precisely practical. In this workshop, you will embody a wide range of archetypes and explore their powerful, universal intentions as an inner motor within fictional characters and scenes. Through physical and imaginative exploration, you will discover how archetypal energies can influence behavior, relationships, choices, and impulses. Discover the wild, voracious, and untamed pioneers of storytelling within you.

Bio: Sophie Loeschburg is an actor, teacher, and founder of Lucid Body Berlin. After training with Lucid Body founder Fay Simpson, she completed the Lucid Body Teacher Training at Lucid Body House in New York. Sophie teaches internationally through workshops and classes in Berlin, New York, Portugal, and Italy, and has performed in over 70 theatre and film productions.

“The Deep Play Institute has inspired me time and again in relation to my playfulness, honesty, and relationship to self. Every time I’ve participated in a DPI event, I’ve come out with new ideas for my work as a therapist, for my art, and for my personal relationships.  The DPI is the rare organization that helps you know the traditional forms and find the courage to invent new ones.”

“I found the series such a unique and both fun and deep combo of so many ways to play and connect with oneself and others. It was amazing to get to understand and feel into various aspects and ways of playing that I hadn’t thought or explored before.”
“Deep Play Institute offers a unique experiential journey filled with rigor, whimsey, challenges for both the intellectual, the spiritual, and the deeply feeling. All this and just enough danger to make things interesting. I am still trying to figure out how they did that.”
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This statement marks a shift in our orientation. While the values we describe have been an undercurrent of our work, they’ve drifted in and out of our awareness alongside other, sometimes contradictory, currents. Through writing this statement we attempt to swim in this one more faithfully:

Some strains of Buddhism and psychoanalysis meet in an anti-capitalist critique pushing us to look at the nature of desire as an endless self-perpetuating cycle of attainment and loss. The marketing for a product explicitly or implicitly says something like, “if you buy this product it will relieve your suffering.” These promises fail to disclose the truth about desire, at best, providing bandaids, or temporary resting places along a journey. At worst, their marketing and our participation in the fiction of fulfillment perpetuates even deeper and more prolonged suffering.

We aspire to consciously uncouple from the logic of commodity in what we offer at DPI. We attempt to disclose the truth regarding desire itself: that it endlessly perpetuates, and that no material or immaterial substance given to our psyche will ever truly nourish us; we are hungry and insatiable.

Through this orientation, where commodity acquisition offers transcendence, we attempt to offer immanence. Like monotheism’s vision of the afterlife as a relief from the present, capitalist consumption dangles a more pleasant future just ahead. We design structures and rituals to sanctify the mess of the now.

Even as we attempt rigor in this regard, we constantly fall into traps of desire. It is endlessly tempting to read salvation into our offer to sanctify the messes of the present. As facilitators we too want to be saved from suffering, and we unknowingly bake that longing into our offerings and affects. The same unfortunate situation occurs within both Buddhist and psychoanalytic traditions, where students encounter the truth of each system as a salvific balm.

Our task then is to keep insisting that we will not heal you. That you are always broken. And that playing with your brokenness, our primary task, will ultimately fail as well. And that, as Pema Chödrön insists, real bravery is not about holding on to hope, but about allowing ourselves to touch hopelessness directly. That when we lean into our groundlessness, rather than scrambling to escape it, we discover a deeper kind of courage — the willingness to rest in the unknown. Can we hold that immeasurable loss? Can we at least touch this loss together? Can we play with it not by only offering lightness and buoyancy to it, but also by merely sitting with each other with our shrunken, bated breaths, as we encounter aloneness together? That is the kind of deep play we aspire to offer.

We, the leadership and facilitators of The Deep Play Institute, want to speak to what it means for us to hold authority in our programs. We want to acknowledge the lineages of what we are offering, as well as our ignorance of many of the branches of those influences. In this acknowledgment, we borrow heavily from the language of Hana Van Der Kolk in their facilitation of somatic practices. The methods we offer are only in small part influenced by our own creativity—they derive from a complex interweaving of teachings and teachers, who themselves are complex interweavings of teachings and teachers. We will name these teachers, lineages, and influences wherever we are aware of them. However, as Hana writes: “We recognize that colonization, white supremacy, and globalization have erased some of the clarity of influence. We will do our best to unforget in the context of a culture that actively produces ignorance.”

At DPI we see it as our responsibility to explore barriers to play—to explore the question of: “What makes play hard?” We work this question into the structure of our play so that we don’t miss out on the wisdom that’s offered by participants of various social identities, legacies, and landscapes of ability. People of different races, classes, ethnicities, ages, neurodivergences, sexual orientations, abilities, and genders may find particular play with particular people and leaders challenging in ways that reflect the impacts of their intersecting identities. Rather than orient toward these hardnesses as obstructions, we work to see them as opportunities to play more deeply and reverentially with one another’s perceptual gifts. The play becomes magical, political, and deeply experimental as it continually welcomes friction as an impetus for creativity.

We recognize that people from marginalized groups—whether due to visible or invisible identities such as race, age, ability, or disability—often carry a heavier burden in shared spaces, including our play spaces. For someone with relative privilege, it might feel brave to say something like, “I feel shy” or “I’m struggling to speak up.” For someone from a marginalized identity, however, speaking a simple truth—such as acknowledging the discomfort of being the only visibly disabled person in the room—might feel profoundly vulnerable—in large part because they might reasonably expect the dominant group to struggle to gracefully receive this. The challenges and tensions in these spaces are not evenly distributed, and there can be an illusion of equality when everyone is invited to “speak hard truths.” At DPI we are committed to exploring ways to reduce and cope with this inequity. We also believe profound creativity and resilience can emerge when people play with these tensions, and discomfort can be redistributed in ways that are meaningful and liberatory for all involved.

When friction arises during our workshops, we observe it through the lens of the inequities and dynamics we’ve described. In these moments, we improvise to understand the unfolding group process and learn from the experience rather than rigidly follow our original plans. This is much easier said than done, however, and we recognize that as facilitators, our various privileges and limitations can impair our skillfulness in navigating how to responsibly and reverentially hold authority. Sometimes, our own shame, resistance, and avoidance prevent us from seeing, let alone playfully encountering, these frictions. We see these moments as some of our most profound opportunities for growth and seek feedback throughout our programs to that end. We hope for your grace and patience as we continue to refine our practice.​